It was a great relief to the girl at last to perceive that the dreadful move would really be made. What might happen if it shouldn't had been from the first indefinite. It was absurd to pretend that any violence was probable—a tussel, dishevelment, shrieks; yet Fleda had an imagination of a drama, a "great scene," a thing, somehow, of indignity and misery, of wounds inflicted and received, in which indeed, though Mrs. Gereth's presence, with movements and sounds, loomed large to her, Owen remained indistinct and on the whole unaggressive. He wouldn't be there with a cigarette in his teeth, very handsome and insolently quiet: that was only the way he would be in a novel, across whose interesting page some such figure, as she half closed her eyes, seemed to her to walk. Fleda had rather, and indeed with shame, a confused, pitying vision of Mrs. Gereth with her great scene left in a manner on her hands, Mrs. Gereth missing her effect and having to appear merely hot and injured and in the wrong. The symptoms that she would be spared even that spectacle resided not so much, through the chambers of Poynton, in an air of concentration as in the hum of buzzing alternatives. There was no common preparation, but one day, at the turn of a corridor, she found her hostess standing very still, with the hanging hands of an invalid and the active eyes of an adventurer. These eyes appeared to Fleda to meet her own with a strange, dim bravado, and there was a silence, almost awkward, before either of the friends spoke. The girl afterwards thought of the moment as one in which her hostess mutely accused her of an accusation, meeting it, however, at the same time, by a kind of defiant acceptance. Yet it was with mere melancholy candor that Mrs. Gereth at last sighingly exclaimed: "I'm thinking over what I had better take!" Fleda could have embraced her for this virtual promise of a concession, the announcement that she had finally accepted the problem of knocking together a shelter with the small salvage of the wreck. "Oh, I don't mean with all the things here," he explained in regard to the opinion he had just expressed. "I mean I could put up with it just as it was; it had a lot of good things, don't you think? I mean if everything was back at Poynton, if everything was all right." He brought out these last words with a sort of smothered sigh. Fleda didn't understand his explanation unless it had reference to another and more wonderful exchange—the restoration to the great house not only of its tables and chairs, but of its alienated mistress. This would imply the installation of his own life at Ricks, and obviously that of another person. Such another person could scarcely be Mona Brigstock. He put out his hand now; and once more she heard his unsounded words: "With everything patched up at the other place, I could live here with you. Don't you see what I mean?"!

"Wherever he is, I can bear it," Fleda said. "But I haven't the least idea where he is." She couldn't, however, succeed for so very many minutes in deferring her exposure. "Why didn't you wait, dearest? Ah, why didn't you wait?"—if that inconsequent appeal kept rising to her lips to be cut short before it was spoken, this was only because at first the humility of gratitude helped her to gain time, enabled her to present herself very honestly as too overcome to be clear. She kissed her companion's hands, she did homage at her feet, she murmured soft snatches of praise, and yet in the midst of it all was conscious that what she really showed most was the wan despair at her heart. She saw Mrs. Gereth's glimpse of this despair suddenly widen, heard the quick chill of her voice pierce through the false courage of endearments. "Do you mean to tell me at such an hour as this that you've really lost him?"

Her hostess was looking at her hard again. "Didn't he tell you—didn't he say anything about it?" "Yes, please. It's tremendously good of you." Mrs. Gereth stared. "Do you mean he's at Waterbath? Well, that's your own affair. I can bear it if you can."